Sona and her fab band will be playing at the Theatre Pitoeff in Geneva this Saturday, May 19. Come on out and hear some great music from this tradition-busting kora virtuoso.
Sona and her magnificent band on Feb 11 will play the Cambridge Corn Exchange.
We are excited about Tigran’s new solo album, “An Ancient Observer”, which will be released March 31st.
Here’s a fascinating sneak listen!
From Tigran’s website:
“In regards to An Ancient Observer, Tigran took advantage of living in Armenia to compose a beauty—looking at his surroundings and reflecting on the bigger picture. “When I gaze out of my window and see the biblical mountain Ararat with the perpetual snow on its peak with foregrounds of electrical towers with wires cutting the picture, and the satellite dishes melted onto old and modern houses, ancestral smoke coming out of the chimneys and the birds hovering above the trees with occasional airplane trails in the vastness of the sky is the dialogue, the interaction of the God-given ancient nature and our modern human achievements,” he says. “For me it is an awakening and a beautiful feeling to be able to observe the magnificence of this sleeping volcanic giant which has existed for millions of years and was observed by from the Ararat Valley Koura-Arax culture to the present day citizens of the Armenian republic.”
A kora player with all the makings of an international star by Robin Denselow
4 / 5 stars
Jobarteh is Africa’s first female griot kora virtuoso, and also a fine singer and composer, blending traditional music, blues and Afropop to impressive effect
This concert starts with a slinky riff from guitarist Derek Johnson, backed by bass, drums and percussion. Then on comes Sona Jobarteh carrying a kora, the west African harp that is traditionally played by male griots, or hereditary musicians, and never by women. This is the woman who decided to change the rules. She bravely starts with Jarabi, a classic griot piece popularised by the world’s finest kora player, Toumani Diabaté, who is her second cousin. She stands as she plays, and after demonstrating her elegant and intricate kora work, she proves that she is also a fine singer, with a cool, laid-back style.
Jobarteh is unique. Her father is from a distinguished griot family but her mother is English, and she studied music and composition in London before returning to Africa to become the first female griot kora virtuoso. Inevitably, she has an eclectic style. Kaira, another griot favourite, starts as a kora solo but develops into a funky and improvised workout, with Sona now trading musical phrases with the inspired percussionist Mamadou Sarr, best-known for his work with Baaba Maal. On Gambia, a tribute to her homeland, she eases towards Afropop, while on the bluesy Gainaako she switches to guitar.
She has all the makings of an international star, but needs to tighten the set and talk a little less – although she has a fine sense of humour. And a new album would help – the last one was released five years ago.
Sona Jobarteh, the first virtuoso female kora player, performs at the EFG London Jazz Festival for the first time this November, playing music from her debut album, Fasiya and her upcoming second release which is due this summer.
Sona was born into one of the five principal West African Griot families and has performed alongside Oumou Sangaré, Toumani Diabaté, Kasse Mady Diabaté and the BBC Symphony Orchestra. She has an effortless ability to blend different musical styles, not just between the West and Africa, but also between West African musical genres. She uses her innovative stance to talk about issues to do with cultural identity, gender, love and respect whilst still referencing and rooting herself firmly in her traditional cultural heritage.
As she demonstrated with her great band last summer at WOMAD, she puts on an amazing show with high energy grooves and rhythms. Not to be missed!
You can buy tickets here.
Sona Jobarteh and her crack band will play the Yellow Arches in Sheffield on Monday, November 14.
“Sona has an effortless ability to blend different musical styles, not just between the West and Africa, but also between West African musical genres. She uses her innovative stance to talk about issues to do with cultural identity, gender, love and respect whilst still referencing and rooting herself firmly in her traditional cultural heritage. Sona represents her tradition in a way that is easily accessible to her audiences from around the world, who are drawn in by her captivating voice, strong rhythms and catchy melodies.”
Watch and listen to her play the kora, a 21-string harp from West Africa; her grooving band complete an amazing line-up.
You can buy tickets here.